There is the old saying, “Don’t judge a book by its cover.” While this may be true for a novel, in regards to a comic book cover this couldn’t be further from the truth. Every writer will tell you that the first paragraph should set the tone for the coming novel. The importance of this…
Category: Creative Resources
A Guide to Affordable Art Supplies
Walmart Walmart Art Supply Review Introduction Sketching and Inking: Clearpoint Mechanical Pencils Triplus Fineliners Papermate Flair Ultrafine Pentel Hi Polymer and Neon Erasers Casemate 2-in-1 Sharpener U Create Sketchbooks Markers: Crayola Supertip 50 Washable Markers Pacon Artist Marker Pad Watercolor: Alex Watercolors Crayola Washable Watercolors Daler and Rowney Simply Watercolor Walmart Art Supply Review: Overall…
Intro to Comic Craft
STEP BY STEP: Brainstorming and Development: Introduction Brainstorming and Character Development Script and Thumbnails: Developing a Script Turning Your Script into Thumbnails and Layouts Creating Thumbnails Converting Your Thumbnails Into Roughs (includes blueline tutorial)Character Design Roughs: Introduction to Roughs Environment in Roughs Scanning Your Blueline Roughs The Finish On Your Comic Inking Using…
The fine art of getting your new book onto a store’s shelves!
So you’ve just finished putting together your first graphic novel. First of all, awesome. Congratulations. You should treat yourself to a nice dinner, and maybe take the rest of the weekend off. Because come Monday, the next leg of your journey begins: actually getting your book into as many hands as possible. Obviously conventions are…
Colorists: What & Why
So, something you may not know about comics is that the person who does the art for the comic rarely colors their work. Often, this is because of the time restrictions involved in making issues of comics as regularly as creators do, but it also allows pencillers, inkers, flatters and colorists to focus and specialize…
Letterers: What & Why
Here’s the thing about comics right now: The writer gets most of the accolades for a good comic. Then comes the artist. After that? You don’t often see the colorist, the letterer or anyone else getting a lot of attention. “You know the word balloons and sound effects? That’s me, baby.” – Clayton Cowles, Letterer…
Kriota Willberg’s “Get A Grip” Series on The Beat
Kriota Willberg is a cartoonist that has been working in the comics industry for quite some time. Kriota uses her knowledge and experience from working as a massage therapist and health science educator to help people learn more about their bodies and how to take care of them. She uses her platform and experience to…
Licensed Comics 101 with Sarah Gaydos: The Creator’s Side
Sarah Gaydos joined Oni Comics in June as the Editorial Director of Licensed Publishing. Previously, she edited IDW’s Star Trek line, and oversaw properties owned by Disney, Hasbro, Dreamworks, and more. Sarah sat down with us to answer questions about working on licensed comics, and what creators need to know when deciding to work on…
Licensed Comics 101 with Sarah Gaydos: The Publishing Side
Sarah Gaydos joined Oni Comics in June as the Editorial Director of Licensed Publishing. Previously, she edited IDW’s Star Trek line, and oversaw properties owned by Disney, Hasbro, Dreamworks, and more. Sarah sat down with us to answer questions about working on licensed comics, and what creators need to know when deciding to work on…
Links for Artists
As an artist, there are plenty of tutorials and guides out there that will help you hone your craft. Being an artist means a lifetime of learning and growing, playing around with different styles, and adapting to the world around you. With comics, you can do illustrations for covers or you can be an interior…